To Ladies Cauterized By Poets
Okay Caitlin –
So they found him dead drunk in a gutter –
A “leftover life to kill”.
But wait a minute –
Does the rain fall down on his grave?
the earth sucks his strength.
You know it’s more than just lust words
in a strange combination of beauty.
They make us be the words.
And when the wheel of chance
falls upon obscure creations
we don’t know any better
than to claim the sallow prize.
Post evening always turns gray
with dawn all too obvious.
In that hour before birds sing
A rust colored hue says.
“ You don’t grow up – you grow tired.”
But worst of all
is a goodbye in the form of a letter
because the words are dry
and at least three days old.
R. Gerry Fabian is a retired English instructor. He has been publishing poetry since 1972 in various poetry magazines. His web page is https://rgerryfabian.wordpress.com
He is the editor of Raw Dog Press https://rawdogpress.wordpress.com
His novels, Memphis Masquerade , Getting Lucky (The Story) and Seventh Sense,. are available at Smashwords and all other ebook publishers. His first book of published poems Parallels is available as an ebook and as a paperback at all major bookstores and on Amazon. His second book of published poems, Coming Out Of The Atlantic is slated for publication in 2019.
the city smelled
of biscuits and roasted oats
which I thought
smelled the same – hops
burning in the brewery
apparently. I was there
with a girlfriend,
enjoying the hilly streets,
and the hops
between coffee shops.
came out of every alley
like a fox
and we kissed
while we waited for the train.
we talked about
bricking the shop that had fired her;
decided against it. instead
just went for
some more of her friends
I no longer remember
and don’t have to
DS Maolalai is a poet from Ireland who has been writing and publishing poetry for almost 10 years. His first collection, Love is Breaking Plates in the Garden, was published in 2016 by the Encircle Press, and he has a second collection forthcoming from Turas Press in 2019. He has been nominated for Best of the Web and twice for the Pushcart Prize.
The pasture greyed, the rattling beck mute
behind secondary glazing, the fizz of pylons too,
in a day of scarce light. The aperture of a former
home is wide as the hours require, and
each year now we shovel our signifiers,
brushing leaves across our yards as the wind
lifts. But there is no wind. Beyond the old
neighbours’ place, twenty on foot and four in
the car, an ombré smudge of tones settles –
hawthorn, sodden, briars sagging, and mud
deep, kicked up by cows gone to the byre
for milking, or fell sheep, if there were sheep.
The power station, a blackened copse somewhere
about the edge of land, fading, its cooling
towers merged with vapours that lift, sink,
sink as the sea of Hibernia turns away, its
back brushing the pile of exhausted chimneys,
almost gone, almost deconstructed. Concrete
follies of a folly in a half-life of feeding families
now lost in their own decommission. Kids now
all grown up with kids of their own and those kids
with kids. In this the division between subject and
object. Ambiguity felt as uncommon knowledge,
as our own approximate selves, knowledge frozen
to make fear dormant, fear of nothing, foam
surfing across the pebbles, the air still and
no new windmills turning beyond our vision.
This attenuated point between fog and rain.
Beyond where the trees stood, the trees cut down
where the west is lost to water. The invisible men
who packed the market squares gone back
south for new contracts, their rented terraces at
the edge of towns vacant, earth settling from that
last ploughing, our minding of this, recurring,
seen through a blue filter and smear of vaseline
and clearing some hairs from before your eyes.
Taking photos on an old SLR as if we lived here,
still. A next horizon never really reached,
only encountered in thought again, again
MW Bewick’s first collection of poetry, Scarecrow, was published in 2017. He is the co-founder of independent publisher Dunlin Press and an organiser at Poetrywivenhoe in Essex, where he lives. Recent publication credits include London Grip, The Sentinel Literary Quarterly, Coast to Coast to Coast and The Interpreter’s House. @mwbewick
Earth Science News
It says on the news
small things are dying.
Insects and human sperm
are three-quarters gone.
I will plough my fears
into the earth. I will shake
kisses from an envelope
and plant them on you.
Flowers grow on your face,
bright and rampant but
they brown and shrivel.
Seed-heads swell and burst.
Oh husbandry! How the spores
rattle as they fly, six legs
like wind-chimes and wings
of rainbow cellophane!
But that cold hill I ploughed
is barren, as the Romans knew
and others have since learned.
In the brackish furrows
my fears grow wriggling tails
and burrow deep by instinct,
till questing little heads
meet the ovum at the core.
It says on the news
there’ll be a slowdown
in our planet’s rate of spin.
Next year I harvest earthquakes.
Carola Groom is a Saddleworth-based writer and social researcher. She writes novels and poems, and has some experience as a book reviewer and leader of creative writing sessions in schools.
No Rosetta Stone
Something more than routine cotton,
more than mother mooning proud over nothing.
This worm-knot in my muscle is a fist for something solid,
a proof of endeavour, a peg in a hollow.
There will be no evidence left, no artefacts, or treasure.
A vast silver cloud, an imagining of data
– ephemeral, and digital, and null.
There will be no Rosetta Stone for our daughters and sons.
We are erasing our own place in history,
deleting our existence with keystrokes and buttons.
There are so many copies of us now,
we have become plankton.
We are amoeba, self-duplicating,
a series of zeros and ones.
Mattias Thomas is a half-Swedish husband and father from Barry Island, South Wales. He studied English at Oxford University before dropping out to work for the family gardening business. He has been writing poetry for 17 years to moderate acclaim from his gran.
After you were born, we planted a tree
– a sapling pear.
The glint of a spade in the afternoon sun; a signal
for the soil to nourish with tenderness
a ritual renewed by the sound of a new born’s snuffle.
In time, the blossom is as white as your flesh
is pink. Fragile heads flicker in the breeze.
A salutation to Hera.
Then come the fruits, kernels of creation.
Each one a single drop of tear.
Time waits for the flight of an angel’s wing;
as our abundant crop hails his first cry, our blessing
and so you were born
– a slow motion memory of pear parting tree.
The Blessing was originally published in A Slither of Air (2011) Indigo Dreams Publishing
Alison Lock is a poet and author of six publications – three poetry collections, two collections of short stories, and a fantasy novella. Her stories have won prizes in The London Magazine Competition 2015, The Sentinel Quarterly Review, and The 14th Conference for the Short Story in English at Shanghai.
Seeing the Entomologist
He doesn’t know that a bee, drinking salt
from the pores on his wrist, is called
a Sweat Bee. Nor that a butterfly, fluttering by,
has memories of caterpillar life.
He rolls onto his stomach, shades his eyes,
says, ‘now you’re making it up.’ She laughs, her hair
a spill on the grass, counters,
‘google it if you like.’
He learns how a raft spider can submerge
for an hour, that Hawk moths have ears
on their mouths. She doesn’t know
that the lake remembers
every pebble you throw, and that
if a loved one dies, a body can fill
with grief, the way a water barrel
fills with sky.
Roy Marshall’s first pamphlet Gopagilla (2012) received favourable reviews in the TLS and elsewhere. His first full collection The Sun Bathers was shortlisted for the Michael Murphy Award, and a second collection The Great Animator (Shoestring Press) appeared in 2017. Previously a nurse, Roy now works in adult education.
You can follow Roy’s blog here: Roy Marshall