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Unfolded by Olivia Dawson

As an added extra, today we celebrate the release of Olivia Dawson’s debut collection, Unfolded. Available from today, Unfolded is the 19th publication from our friends at Maytree Press and again features original cover art from Alice Parker.

A wonderful debut collection uniquely themed around a collection of exotic and mysterious fans where Olivia gently weaves together a series of intimate portraits as though the words were themselves revealing a secret message on the leaves of a fan.

Unfolded is now available direct from Olivia or online from Maytree Press https://maytreepress.bigcartel.com/

Mantelpiece

Sometimes I display a fan
of glossy invitations showy

as peacock feathers,
or my Rolling Stones badge

pinned to a shrivelled rose
for a conversation piece.

Once I laid out family photos
but they disturbed the space

curling like cellophane fish
in the heat. Today a naked figurine,

round as Botero’s ballerina, poses
between two bowls with silver rims,

a screen of dust dims their reflective glaze
which only shows glimpses of me.



Still Life with Chocolate Pot

Matisse owns a chocolate pot –
treasured wedding present, drop-bellied,
squat, with a walk-on part

into interior lives.
It poses as a curvy vase
alive with silk flowers

or hides in the design of a tablecloth
like an optical illusion,
sometimes it takes centre stage,

duckbilled on three splayed feet.
Recast as a paper cut-out
the pot looks for its finest angle

jaunty behind a neon apple
then goes missing
to return as a smaller version

of itself, where it lurks
in the background, lopsided,
unsure of the applause.



Olivia Dawson, originally from London, now lives in the Sintra hills near Lisbon, via Paris and Rio, where she worked as an EFL teacher. She has an MA in Creative Writing from Lancaster University and is the Poetry Society Stanza rep for the Lisbon area. Her poetry has been published in magazines and anthologies including Magma, Poetry News, Under the Radar, Poetry Birmingham Literary Journal, Time & Tide (Arachne Press), The
Chronicles of Eve
(Paper Swans Press) and longlisted for the National
Poetry Competition, shortlisted for Paper Swans Press Pamphlet
Competition and shortlisted for the Poetry on the Lake Competition. Unfolded is her debut pamphlet.

between two rivers – Nick Allen and Myles Linley

Today we celebrate the Maytree Press release of this very special collaboration between poet Nick Allen and artist Myles Linley.

In this unique partnership, poet and artist explore and respond to the mysterious landscape of the East Riding of Yorkshire.

With twelve full page colour and black and white images to compliment Nick’s sublime poetry, this is a pamphlet that will be treasured for years to come. Strictly limited to 150 copies, don’t miss out – order your copy direct from Maytree here –  Shop

 

how here
(on seeing the turbine blade installation outside the Ferens Gallery, Hull)

what beast left this
what manner of beast
dropped this thing

let it fall
why here and how here
what did it before

and where

what myth has been provoked
what legend ransacked
where art   how art
how can we make recompense

how repair

would that we were able
would that we

would we

 

9781916038158

 

About – to find out more about Nick and Myles follow these links:

Myles Linley

Nick Allen Poetry

Tim Taylor – Two Poems

This week, to celebrate the launch of Maytree 003, we are delighted to feature not one but two poems by Holmfirth based author, Tim Taylor. The two poems have been chosen because one made the cut and the other, sadly, didn’t. We still believe, however, that The Cowrie Shell deserves a greater audience and we are delighted to be able to feature it in the Village. Personally I really like the Cowrie Shell but unfortunately we just couldn’t make it fit in the collection – the tough choices of poet and editor! So now we like to think of the Cowrie Shell as the hidden track of Sea Without A Shore and it’s only right that we feature it alongside the key track in the pamphlet. Pioneer holds the clue to the title of the collection and inspired the choice of cover art which features the painting, Changing Light by Saltaire based artist, Paula Dunn.

You can purchase Sea Without A Shore on-line from our own Village Shop or, if you’re anywhere near Holmfirth on the 2 July, direct from Tim at his forthcoming launch event at Holmfirth Library.

The Cowrie Shell

“Just chuck ‘em in the skip,” she said
as if each object in that box
were not once part of me:
attached by long sinews of stories,
fed by flimsy arteries
through which a child’s heart
once pumped them full of meaning.

The box took them when life moved on.
Now lifeless, so I thought
but peeling back the cardboard
I could sense the gasps for air.
Each object in its turn cried out;
the child in me woke up
and would not let them go.

Among the marbles and the model cars
I found a cowrie shell: smooth, mottled,
exuding still the faintest smell of salt.
“You remember me,” it said
– that holiday in 1969”. I felt
a flickering of what seemed like recall.
I dug deep for that memory,
found it rotted by the years.
I steeled myself, obeyed
the pitiless reminder:
“you cannot keep them all.”

Not quite big enough to be an ornament,
if fitted better in a smaller hand.
I put it down: out fell a single grain of sand.

Pioneer

Humans made me
with exquisite care, but then, in fire
and violence, thrust me far away.
Obedient, I spied on giants,
sent my postcards home.
No more: their Earth
has long winked out of sight,
their Sun – a dot among its sister stars.
I am silent now: my masters
cannot see or hear me,
nor I them. Still, I travel on
bringing their message
to anyone in this infinity of black
who might yet care to see.

There being no one
I have found a purpose of my own:
to navigate this sea without a shore
to ride its tides, explore its nothingness,
to understand the nature of the void.
It lends perspective:
One day – not far away
by the eternal standards of this place –
humans, their Earth and all trace of it
will have folded into time.
Except for me: I travel on
bearing their image on my side
until swallowed by a star
or by the end of everything.

(Pioneer 10, the first spacecraft to visit Jupiter, lost contact with Earth on January 23, 2003. It is now thought to be 11 billion miles away. It carries a plaque with pictures of a man and woman.)

 

Tim Taylor is a Holmfirth based author who has previously published two novels. Sea Without A Shore is his debut poetry pamphlet. Visit our shop here

Image: Changing Light by Paula Dunn. Found out more here

Dick Jones

Morgan, Mulligan and Me

‘My Funny Valentine’
Art Farmer – trumpet
Gerry Mulligan – baritone sax
Bill Crow – bass
Dave Bailey – drums

There was
it seemed
a chance
after all

a chance
that in spite
of the thick
cat curve of

Morgan’s midnight
hair; the
electric green
surveillance of

those Cleopatra
eyes; the
devastating scorn
of that

elevated lip,
she might
just notice me
for all my looks

laughable un-
photographable.
A neutral party
told me late

one Tuesday
after lunch
and with all of
break before us
(this for the price
of my last
French cigarette)
that you had

a thing
a real thing
a kink for a
saxophone.

Where all
the other girls
had things for
a kiss-curl fall

or a hand
drooped limp
at the wrist
or a hip-switch

twist away from
the microphone
you favoured
the blue smoke

of a saxophone.
So it was tongue
and breath against
bone and sinew

and I knew that
this I could
accommodate
and more.

So when some
other afternoon
(the golden hour
gone grey with rain)

I saw you curled
alone along the
studio window seat
watching the wind

in the trees
along the drive
I slipped
the disc from

its whisky
amber sleeve
laid it like
an offering to

the turntable
lifted on
the stylus and
sat down across

the room
head bowed
hands clasped
in shadow.

Mulligan and
Funny Valentine:
the lemon slice
of Farmer’s

trumpet lead;
the distant bumble
of the baritone
before it lifts

its fuzzy head
and whispers
its sweet and
cruel put-down

praises up until
the two slow
circling voices
wood and wire

ice and water
drop together
wound into
that comic valentine.

And she uncoiled
raising shoulders
lifting hips turning
last her head

until like a
sideways sphinx
she watched cat
still cat steady.

Then she said
Encore and coiled
again but now
away from light

and facing shade
my shade.
She smiled. And
I smiled too.

 

Dick Jones

In 2010 Dick received a Pushcart nomination for his poem Sea of Stars. His first collection, Ancient Lights, is published by Phoenicia Publishing (www.phoeniciapublishing.com/ancient-lights.html). His translation of Blaise Cendrars’ influential epic poem ‘La Prose du Transsiberien…’ was published an illustrated collaborative edition with artist Natalie D’Arbeloff by Old Stile Press (www.oldstilepress.com/osp_book/trans-siberian-prosody-and-little-jeanne-from-france/)in 2014.

 

Gerry Mulligan Quartet – My Funny Valentine

 

 

Hannah Stone

Easter Hail Stones, Hanlith Moor 

The sky is surly today,
reluctant to twist the veil
and clothe us in its blue lining.

Spring trees are barely clad,
still stretch out their limbs
in dark longing.

After Gordale Scar refuses us
the moors embrace our feet;
saturated soil clogs our boots.

Then, sudden and brutal,
the weather front drops its pretence,
drapes us with white-out.

Hail stones beat and batter
any flesh exposed to its blows.
Visibility shrinks before our gaze.

This cold pierces Gortex layers,
stabs to the bones.
Cheeks redden from its flail.

Then, it is as if a hand
reaches down and lifts the scourge,
switches on the light.

There is a lane, pointing
in roughly the right direction.
On naked elders, birds start to celebrate.

We breathe new life
into stinging fingers,
raise bruised faces to the sun.

 

Hannah Stone has been widely anthologized and published on ezines and in The North, Dreamcatcher and other journals and collaborations. Solo publications include ‘Lodestone’ (Stairwell Books, York, 2016) and ‘Missing Miles’ (Indigo Dreams 2017). She collaborates with poets, composers and broadcasters. In other lives, she is a hillwalker, forager, singer and teacher.
Hannah’s new pamphlet, SŴN Y MORLOI ON PEN-CAER, is due in late spring 2019 from Maytree Press

 

 

 

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