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Elizabeth Gibson

Dragon

Of course you were born in the Year of the Dragon –
I feel a thrill of satisfaction, but also a chill of cold fire.
These things scare me slightly in their perfection. If you
were not a Dragon, who would be? Your generation all
must be, in their way, but you – you are made of flames.

I was convinced as a kid I could breed a dragon one day
from a lizard and a bat. I dreamt of flying on giant ones,
naming them after Norse gods in my head: Freya, Odin.
My friend asked me recently why I was so into dragons,
and I had no answer. There is just something about them.

And that is you, my glowing, soaring human. You are my
hero because you are a genius and honest and hardworking
and yet there is something more to it, which I doubt I will
ever pin down. Your fingers on the guitar are your wings.
In your words the truth flickers. You show me what is real.

 

Elizabeth Gibson was announced as a New North Poet at the 2017 Northern Writers’ Awards. Her writing has appeared in Antiphon, Cake, The Cardiff Review, The Compass, Creative Review, Ink, Sweat & Tears and The Poetry Shed. She edits Foxglove Journal and the Word Life section of Now Then Manchester.

Twitter @Grizonne

Facebook https://www.facebook.com/ElizabethGibsonWriterPoet

Blog http://elizabethgibsonwriter.blogspot.co.uk

 

Shriram Sivaramakrishnan

At a restaurant

between its kitchen and fine-dining area,
near the billing counter, between the bar
that had a Buddha head between bottles
of brandy, I wrote this

on the back of a duplicate invoice
of a takeaway order (one Veg Rogan Josh
and one Lamb Goat Biryani ),
the distance between a lamb and a goat

being collapsible space made up of time.
I scribbled it after the last customer
(a lazy brown man in a Tuxedo, farting
his way out to the car park) left.

To my right, unkempt dinner tables –
a bohemian battleground of forks and knives –
beside which lay a graveyard of glasses,
the bar-deck. Guinness, Pedigree

glasses, but in posterity empty obelisks –
each representing a moment of that day.
Under every glass a mark: a shape
of its own bottom, the instant

of a beer-spill. A mark that said
I happened here. I used an odorous rag
to erase them, before I tallied the day’s
business into profit and pretence.

 

Shriram Sivaramakrishnan is a proud alumnus of Seamus Heaney Centre for Poetry. His poems have recently appeared in Allegro, Coast to Coast to Coast, among others. His debut pamphlet, Let the Light In, was published by Ghost City Press this June.

 

 

Robert Ford

Factory gates

Every day at four they burst the dam, the sound
of the siren demolishing the loaded stillness
of the afternoon air, and from down the road –

squinting into the sun – you’d see them emerge,
a river of a hundred men on bicycles, flowing along
like a grainy film of everyday scenes smuggled

out of communist China, their trousers clipped
securely above the ankles, thermos flasks nosing
between the neat teeth of zips on shouldered bags.

Who knew what on earth they did in there, precisely
which pieces of the mechanism they may have been?
Or fathomed out the metronomic precision that made it

all fit together? As the torrent swam by, each one
making a shadow puppet across the tarmac, their
amber faces shone like zen monks, giving nothing away.

 

Robert Ford’s poetry has appeared in both print and online publications in the UK, US and elsewhere, including The Interpreter’s House, Brittle Star, Butcher’s Dog and San Pedro River Review. More of his work can be found here

 

 

Hannah Stone

Visiting Rights

In the long green womb
of over-wintered broad beans,
seeds begin to swell.

Cow parsley fringes
the lane beside the station
where I catch the train.

Walking along routes
we used to take together
feels quite normal now.

You have almost left,
though your body still lies here,
in a bed with rails.

We couldn’t keep up
with the pace you set, climbing
your favourite mountain.

Now, each shallow breath
slips over the precipice
that is your ribcage.

Skin sags from your bones,
unplumped by flesh or muscle,
busy hands wasted.

You are almost there,
scaling the final incline;
arrive triumphant.

I play you music
with trumpets in A major,
to greet your entrance.

I will sow speedwell
into the lining of your coat
for a safe journey.

 

Hannah Stone has been widely anthologized and published on ezines and in The North, Dreamcatcher and other journals and collaborations. Solo publications include ‘Lodestone’ (Stairwell Books, York, 2016) and ‘Missing Miles’ (Indigo Dreams 2017). She collaborates with poets, composers and broadcasters. In other lives, she is a hillwalker, forager, singer and teacher.